“This is not my instrument,” says Kishan Bhopa, holding up the ravanhattha he finished making moments ago with Babudi Bhopi, his wife.

“Yes, I play it, but it’s not mine,” says Kishan, “It is the pride of Rajasthan.”

Ravanhattha is a string and bow musical instrument made of bamboo and Kishan’s family has been making and playing it for generations. He traces its origins back to the Hindu mythological text, the Ramayana. The name for ravanhattha , he says, comes from Ravan the king of Lanka. Historians and authors concur, and add that Ravan created this instrument to please Lord Shiva and seek benedictions.

Dr. Suneera Kasliwal, author of the book Ravanhattha: Epic Journey of an Instrument in Rajasthan , published in 2008 says, “ Ravanhattha is the oldest among the bowing instruments.” She adds that since it is held and played like a violin, many scholars believe that it is the precursor of instruments like the violin and cello.

For Kishan and Babudi, the crafting of this musical instrument is closely tied to their everyday life. Their home in Bargao village in Girwa tehsil of Udaipur district is surrounded by logs of wood, coconut shells, goatskin and strings that go into creating a ravanhattha . They belong to the Nayak community, listed as a Schedule Caste in Rajasthan.

The couple, both in their early 40s, leave their village at 9 a.m. every morning to begin work at Gangaur Ghat, a popular tourist destination in Udaipur city. Babudi sells jewellery, while seated next to Kishan playing the ravanhattha to attract buyers. By 7 p.m. they pack up to return home to their five children.

In this film, Kishan and Babudi show us how they create the ravanhattha , how their lives have been shaped by the instrument, and also share their challenges in keeping this craft alive.

Watch the film: Saving Ravan

Urja
urja@ruralindiaonline.org

Urja is a Video Editor and a documentary filmmaker at the People’s Archive of Rural India

Other stories by Urja
Text Editor : Riya Behl

Riya Behl is a journalist and photographer with the People’s Archive of Rural India (PARI). As Content Editor at PARI Education, she works with students to document the lives of people from marginalised communities.

Other stories by Riya Behl